Christiane Lyons; Marlene: Arrangement in Mars Black and Rosewood
2018; Oil on polyester; 48 x 60 in / 122 x 152.4 cm; Photo credit: Michael Underwood

Johannes Wohnseifer; Red Cloud
2017; Acrylic, lacquer, Scotchlite, laser engraving on canvas and felt; 25 ½ x 25 ¼ x 1½ in / 65 x 64.5 x 4 cm; Photo credit: Michael Underwood

Adam Saks; Hidden Path IV
2018; Oil on canvas; 70 7/8 x 59 ½ / 180 x 150 cm; Photo credits: Evan Bedford

Marine Hugonnier; Art for Modern Architecture Dallas Morning News – The Millenium – January 1st, 2000
2011; Silk screen paper clips onto vintage newspaper front pages; 21 ½ x 13 ¼ in / 54.6 x 33.7 cm image size; 25 ¼ x 16 ¾ x 1 ½ in / 64.1 x 42.6 x 3.8 cm framed dimensions

Cody Trepte; From Both Moments As Another
2013; Ballpoint pen ink over chromogenic print (framed); 28.75 x 24 in / 73 x 61 cm image size / 29 ¼ x 24 ½ in / 74.3 x 62.3 cm framed dimensions CT.25; unique; CT001

Bas Jan Ader; Study for I'm too sad to tell you
Bas Jan Ader; 1971; Silver gelatin print; 6 3/4 x 9 in / 17.2 x 22.9 cm / 12 ¼ x 14 in / 31.1 x 35.6 cm (framed); BJA_016; Photo credit: Michael Underwood

Lisa Seebach; We thought stars are just holes in the sky
2017; Steel, glazed ceramics, lacquer; 80 x 19 x 11 in / 203.2 x 48.3 x 27.9 cm; Photo credits: Michael Underwood

John Miller; Statis
2017; Latex on cotton/polyester with archival acrylic coating; 50 inches diameter / 127 centimetres; Photo credits: Evan Bedford

Todd Gray; Time Machine No. 3, 2016
Three archival pigment prints with artist’s frames; 38 1/2 x 38 1/2 x 2 1/2 in / 97.8 x 97.8 x 6.4 cm; TG017

Meg Cranston; I SUPPOSE SO.
Meg Cranston & John Baldessari; 2015; Acrylic and oil on wood panel; 42 x 36 in / 106.7 x 91.4 cm; MCJB001